In Traces The Human and Posthuman in 2001 A Space Odyssey In itself, the expression posthuman freely offers its feelings of appreciation to that which it moves past – the human. As is suggested, the posthuman will frequently hold significantly numerous characteristics of the human that goes before it. Stanley Kubrick's different dreams of the posthuman in his milestone 1968 sci-fi film 2001: A Space Odyssey do only this. In the entirety of the film's breathtaking equivocalness, we are still furnished with away from of the story's higher creatures and posthuman substances, including their increasingly customary human characteristics that have continued with them in their individual expansions of the human. In intently watching the film's story and introduction of the posthuman nearby various built up authors and their unique papers, in particular Friedrich Nietzsche, Gilles Deleuze and Félix Guattarri, and Katherine Hayles, we gain knowledge toward exactly what precisely Stanley Kubrick was estimating in 2001.
